Dublin Theatre Festival Reviews

Donka: A Letter to Chekhov

Gaiety, til Sun 2 Oct

Strong visuals and a quite entertaining playfulness inform this circus-like show, but despite its impressive credentials it never really adds up to a satisfying whole. Commissioned for the opening of the 2010 Chekhov International Theatre Festival and created by Cirque du Soleil’s Daniele Finzi Pasca, at times it feels a bit Cirque-lite, and the links to Chekhov seem pretty tenuous – girls on swings in pretty white dresses, some messing about with beards and fishing lines, and a bit of slapstick doctoring with some gratuitous contortionism thrown in; possibly a Chekhov-imbued Russian audience would get more out of it. Nevertheless there’s quite a few enjoyable set pieces, including some interesting shadow play, with silhouettes looming large in an almost Soviet display, juggling and gyroscoping, a dream-like ice-shattering dance sequence and a very funny horizontal trapeze-act.

Peer Gynt O’Reilly Theatre, til Sun 16 Oct

Who would have thought that rhyming couplets could be so much fun? Or that the bare space of the O’Reilly Theatre could be transformed into such Gate-like elegance? John Comiskey and Alan Farquharson’s opulent set offers a feast for the eyes, all faded Victoriana and bay-windowed grandeur, with a curved central space that conceals and occasionally reveals an excellent live band. Tarab provide a compelling musical backdrop to the unfolding saga of the elusive Peer Gynt, fantasist extraordinaire. Arthur Riordan’s clever new version, directed with gusto by Lynne Parker, has a definite Irish twist to it, with its lilting tunes, rhymes and raps, and while the pace does flag a wee bit in the second half, it’s always going to be hard to match the sheer exuberance of that first act, its wild adventures, flights of fancy and tales of derring-do, of mountain goats and elopements, the devoted mammy, and a delicious trio of troll princesses. A terrific ensemble cast and a bravura performance from Rory Nolan as our beleaguered hero.

Rian, Gaiety, til Sat 8 Oct

Mention the words ‘traditional Irish music’ and ‘dance’ in the same sentence, and inevitably the spectre of Riverdance comes to mind, with its streamlined perfection and glitzy costumes, a remnant of the good old bad old days. But this earthy new show from choreographer Michael Keegan Dolan and musician/composer Liam O Maonlai soon dispels any such notions. Mind you, the start doesn’t look too promising. The company of musicians and dancers are ranged in a semicircle at the back of the stage, with O Maonlai at the centre in what seems like a very formal arrangement, but things gradually take off until the stage is full of leppin’ and boundin’, sweeping and swooping, the way you might dance in the kitchen (if you were good enough). There’s a touch of the comely maidens, in their gunas and ankle socks, with the fellas in tweed suits and braces, but it’s nicely juxtaposed by an ethnically diverse cast and there’s no restraint here - at times it almost feels like a seisuin. Some of the dance moves seem a tad over-exposed, but there other moments that take your breath away – the mischievous teasing of the solo box player, the slow-mo reaction as the uilleann piper casts a spell, or the beautiful pas de deux, a fascinating variation on the slow set. The music is of course top class, with O Maonlai himself particularly busy on piano, harp, bodhran, tin whistle and vocals, and although his voice is in fine fettle, for me the show was stolen by a most beautiful rendition of Lough Erin Shore from Eithne Ni Cathain. As the last notes faded away you could literally hear a pin drop. Riverdance is well and truly banished.

Ulster Bank Dublin Theatre Festival

Quite a smorgasbord of theatrical experiences at this year’s Theatre Festival, from the wild intoxication of contemporary circus and flamboyant extravaganza, to the haunting introspection of lost boys and forgotten mothers; from the playful exploration of myths and fairytales to the rigorous interrogation of The Radical Mind or the powerful honesty of the one-woman show. It might be a cliché, but Loughlin Deegan’s final year as DTF director has definitely produced a bit of something for everyone, as personified in the opening show DONKA, a letter to Chekhov (Gaiety), originally commissioned for the opening of the 2010 Chekhov International Theatre Festival. Aerial acrobatics, multi-media illusion and circus magic from leading director (and Cirque du Soleil veteran) Daniele Finzi Pasca, inspired by the plays and diaries of Anton Chekhov, surreal escapism guaranteed!

Rough Magic reunite with Improbable Frequency author Arthur Riordan for a playful re-imagining of Ibsen’s Peer Gynt (O’Reilly Theatre), the delusional boy who never grew up. Funny, fast-paced and fantastical, it’s directed by Lynn Parker and features live music from Francesco Turrisi’s Tarab.

Cornwall-based Kneehigh, purveyors of dark yet magical fairy tales for the past 30 years, make their first visit to Dublin with the exhilarating The Wild Bride (Gaiety), an epic and irreverent romance that follows the fortunes of young woman whose witless father accidentally sells her to the devil.

There’s world premieres a-plenty in this year’s festival; DTF and Landmark Productions have joined forces for a new play by celebrated writer Colm Toibin. Testament (Project), directed by Garry Hynes and featuring the outstanding Marie Mullen, gives provocative voice to a woman forced to carry a heavy burden through tumultuous times, asking big questions about the who, what and why of our beliefs.

In another powerful one-woman show, Toneelgroep Amsterdam present Jean Cocteau’s La Voix Humaine (Beckett Theatre) featuring Halina Reijn in a tour de force performance. Directed by the world renowned Ivo van Hove, this seminal story of abandonment and heartbreak centres on a desperate woman’s last phonecall to an ex-lover.

And one man (Omphile Moluis) tells the true story of a forgotten South African township in the award-winning Itsoseng (Axis), as the hope of a new post-apartheid life is crushed by the realities of a corrupt and incompetent system.

The fab Fabulous Beast are back with an ambitious new show that aims to explore the tension and harmony between Irish traditional music and contemporary dance. Rian (Gaiety) brings together choreographer Michael Keegan Dolan, trad fave Liam O Maonlai and a company of musicians and dancers in response to O Maonlai’s album of the same name, itself inspired by the seminal recording O Riada sa Gaiety.

At the Abbey, a new production of the O’Casey classic Juno and the Paycock in a first ever co-production with UK’s National Theatre. Risteard Cooper, Sinead Cusack and Ciran Hinds head an impressive cast in this epic tale of survival and vengeance, in which the ambitions of the lowly Boyle family are set against the political and social events of the War of Independence. The NT’s Howard Davies directs with design by the excellent Bob Crowley.

Chekhov turns up again in 16 Possible Glimpses (Peacock), a new play by Marina Carr examining the life and death of the elusive genius. Visuals, words and music collide in a series of dialogues and domestic scenes around the master storyteller, playwright, doctor, lover, brother, son. Wayne Jordan directs.

Artistic extravagance from Belgium’s Les ballets C de la B (2006’s vsprs) in Gardenia (Gaiety) a flamboyant and defiant expression of the indomitable human spirit featuring seven ageing transvestites and transsexuals. A collaboration between celebrated musical director Frank Van Laecke and leading choreographer Alain Platel.

At the Gate, Hugo Hamilton’s brilliant memoir The Speckled People is adapted by the author and directed by Patrick Mason. Hamilton’s story of his constrained childhood in 1950’s Dublin, the product of a fanatical Gaelgoiri father and a gentle German mother is both deeply personal and powerfully resonant.

Brokentalkers follow up 2009’s Silver Stars with The Blue Boy, dealing with the experiences of men and women who spent their childhood incarcerated in Catholic institutions. Live performance, recorded interview, multi-media and film, written by Feidlim Cannon and Gary Keegan, with choreography by DV8’s Eddie Kay and music by Sean Millar.

Siren Productions take over the James Joyce House for The Lulu House, an immersive and intoxicating exploration of the elusive, seductive Lulu, inspired by the silent movie Pandora’s Box and the 19th century Lulu plays, a mix of performance, musical, installation and film featuring Lorcan Cranitch and Camille O’Sullivan.

Cabaret macabre gets another wicked twist from UK company 1927 in a show that mixes elements of Fritz Lang, Charles Dickens and Tim Burton. Synchronising live music and performance with film and animation The Animals and Children Took to the Street (Project) explores the seedy underbelly of the Bayou, as Agnes Eaves and her daughter arrive late one night amid the cockroaches, crime and corruption.

The Radical Mind celebrates the Goethe-Institut’s 50th anniversary in Ireland with a season focusing on leading experimenters and innovators, presenting 3 independent contemporary works from Germany. She She Pop & Their Fathers (Beckett Theatre) draws on King Lear to show the painful realities of aging and parenthood, as the performers expose their personal grievances alongside their real-life fathers. In their ongoing exploration of the complexities and absurdities of contemporary culture, Gob Squad use tea, cake and electric guitars to reach out to the masses and incite them to rise up in Revolution Now! (Beckett) The clichés surrounding Othello and Desdemona gradually give way to a tough confrontation between two contrasting cultures fuelled by extreme emotions, prejudices and misunderstandings in the two-hander Othello c’est qui (Smock Alley)

Behind Closed Doors is a series of intimate theatre experiences exploring often forgotten facets of Irish society. Louise Lowe’s Laundry takes a tiny audience to a former Magdalen Laundry in the north inner city. In Mark O’Halloran’s Trade a vulnerable young rent boy sits with a middle-aged client in a rundown B&B. Corcoadorca’s Request Programme featuring the brilliant Eileen Walshe in a wordless performance, brings us into the private world of a woman whose ultimate decision will change everything.

Reviewed gives you a chance to catch the ones that got away: The Performance Corporation’s carnivalesque satire Slattery’s Sago Saga; Louise Lowe’s World’s End Lane, an exploration of the notorious Monto district; the personal love story of Amy Conroy’s I heart Alice heart I; Theatreclub’s Heroin, an unsettling look at those that society left behind; and Gavin Kostick’s Fight Night, charting the gripping comeback of failed amateur boxer Dan Coyle.

And not forgetting the Family Season, with shows from Denmark and Belgium; In Development (free but booking essential); Project Brand New at the Hendron Building; Panel Discussions and more.

www.dublintheatrefestival.com

If Music Be

Some fab music coming up over the next few days, kicking off at the NCH this evening (Wed 21) with the fascinating and highly dramatic pianist Rolf Hind, a brilliant exponent of contemporary music. The opening concert in the NewSoundWorld series, the two-piano programme mixes John Cage with eastern influences including Takemitsu and Tan Dun. www.nch.ie

Lots of stuff on Culture Night (Fri 23). At the NCH you can hear RTE Cor a nOg at 7pm, prior to the main NSO concert, and for a mere fiver, the RTE Vanbrugh Quartet at 10.15pm playing Mozart, Arvo Part and Donnacha Dennehy. The Contemporary Music Centre opens its doors til 10pm for a live Music and Installation Programme with the Spatial Music Collective, including Jonathan Nangle’s Trip the Light Fantastic, Brtian Bridges’ Collapsing Old Buildings, and works for harp and electronics by Linda Buckley and Enda Bates. www.culturenight.ie

The CMC’s new music::new Ireland salon series begins on Wed 28 at the NCH’s Kevin Barry Room with singer Tine Verbeke and cellist Martin Johnson (of Concorde) in a programme that includes James Wilson and Elaine Agnew. www.cmc.ie

Sundays at Noon at the Hugh Lane features upcoming young classical guitarist Pavlos Kanellakis on Sun 25 playing de Falla, Villa Lobos, Buckley and de Bromhead. On Sun 2 Oct the National Chamber Choir sing Bach, Brahms, Arnold Bax, Siobhan Cleary and Tarik O’Regan. www.hughlane.ie

Absolut Fringe

And so to the Fringe. What delights await us in Week Two?

Man of Valour has been packing them in at the Beckett, a one-man action movie created by The Corn Exchange's Michael West & Annie Ryan and Paul Reid (of Raw fame), the latter delivering a virtuosic performance as an office drone with a hyperactive fantasy gland. From Oz comes another one-man-er, the multi award-winning The Adventures of Alvin Sputnik: Deep Sea Explorer a feel-good epic bout enduring love and the end of the world that mixes animation, mime, puppetry, projections and live music. (Project)

Dance at Project includes A Lost Opera, a new dance work from celebrated choreographer Deborah Hay directed by Jason Byrne and featuring Ella Clarke, Cindy Cummings and Julie Lockett. Make, I Mean brings together John Scott's IMDT and New York's Adrienne Truscott for a multi-generational -cultural and -discipline piece.

Abie Philbin Bowman brings his edgy satire to the Lir with a piece celebrating the man of the moment, Pope Benedict: Bond Villain. David O'Doherty turns bankrupt explorer in Rory Sheridan's Tales of the Antarctica - sold out at the time of writing but definitely worth queueing for returns. (Smock Alley) For a pocket musical peek at Dublin city 2011, check out Pocket Music at Bewleys, part of Fishamble's Show in a Bag.

In Gis a Shot of your Bongos Mister drummer Brian Fleming creates an aural biographical journey from Fatima Mansions to the shanty towns of West Africa. What Are Poets For? (in a destitute time) sees performance artist Denis Buckley draw parallels between the disenfranchised London Irish and the demoralised new Hibernia. (both at City Arts)

A timeless location on Eustace St heaps on the atmosphere in Hand Me Down the Moon, an immersive theatrical experience created by the formidable trio of Bairbre Ni Chaoimh, Aideen Barry and Louise Lowe, as a young space-obsessed girl embarks on her quest to defy gravity and journey to the stars.

PS a couple of cool freebies: there's a bit of a darnathon at the Fringe box office (Filmbase) over the next few days with Furturemenders' The Sock Exchange. Learn how to darn with love. And prepare to be uplifted at Christ Church Cathedral on Sat 24 @5pm by the swirling choral/choreographical spirituality of Tom Lane's experimental evensong Corokinesis.

www.fringefest.com

September

Finally! Back on dry land and what a cool month September turns out to be. You can scarcely move without colliding with a bit of culture. First there’s the fab Fringe Festival aka Absolut Fringe, hurtling towards its second week with some tantalising goodies in store and a new festival club on uber-hip Parnell Square East. Long live the northside! And even better is the news that Macnas’s opening night show at Collins Barracks, cancelled because of adverse weather conditions, has been rescheduled for the Fringe’s closing night on Sun 25. Yippee!!! Get your tickets at the Fringe box office on Curved St. Dublin Contemporary is out and about with over 90 Irish and international artists on show at Earlsfort Terrace and various galleries. At 15 quid a ticket it might seem a bit pricey but there’s a lot of stuff to see, and for the final hour you can get an Art Bite for a fiver. And if you’re lucky you might get to take part in a special Roadworks walking tour as part of Culture Night on Fri 23. Musicwise, there’s interesting concerts from NewSoundWorlds on Wed 21 and Sundays@Noon on Sun 25, the RTE NSO are back in situ at the NCH, with Beethoven’s Fifth Symphony and Ander Hillborg’s sinuous Clarinet Concerto on Fri 23. And then to cap it all, the Ulster Bank Dublin Theatre Festival kicks off on Thur 29 for a two week splurge. Happy hunting, culture vultures!

Brad Mehldau

Well whadya know – you go away for a couple of weeks and before you know it it’s September and those grey clouds you were fleeing suddenly turn out to have some very inviting silver linings. Shows from Note Productions includes the amazing jazz pianist Brad Mehldau in a solo show at the NCH on Wed 14, one man and a piano conjuring up a density and richness of sound that morphs from original compositions to his very idiosyncratic take on genre-bending tunes, from My Favourite Things to Kurt Cobain’s Lithium on his latest live album. Not to be missed. Note are also presenting Iarla O Lionaird at the Sugar Club on Fri 16 as part of launch tour for his latest album Foxlight. www.note.ie

Summer in the Symphony

The RTE National Symphony Orchestra get busy for the summer with Tue lunchtime and Fri evening concerts at the NCH. Lunchtime fare includes a nice mix of Berlioz, Faure, Saint-Saens and a taste of a Haydn Cello Concerto on Tue 28, all under the baton of Principal Conductor Alan Buribayev. Strauss’s Blue Danube and Tchaikvosky’s Swan Lake share the stage with bluegrass fiddle music on 5 July. There’s Ravel and Bizet on Tue 12; Balfe, Butterworth and Bernstein on Tue 19 with soprano Katy Kelly; and Weber’s Bassoon Concerto on Tue 26. On Fri 1 July there’s a rare opportunity to hear Stanford’s 2nd Piano Concerto with soloist Finghin Collins, along with Tchaikovsky’s dramatic 5th Symphony. Other evening concerts include Operatic Favourites with South African soprano Sarah-Jane Brandon on Fri 8; the Great American Songbook on Fri 15; lyric fm’s Listeners Favourites on Fri 22; and the slightly dubious Symphonic Rock on Fri 29.

www.rte.ie/nationalsymphonyorchestra

Translations

What with Molly Sweeney at the Gate and Translations currently previewing at the Abbey, eminent playwright Brian Friel is once again centre stage in Dublin. Set in 1833, as the British Army embark on a mapping project of rural Donegal, Translations is definitely one of my favourite Friel plays. It has it all – history, politics, intellect, cross-cultural clashes, language and identity, a delightful love story, a real sense of fun, and a sinister undercurrent that will inevitably lead to tragedy. Conall Morrison directs a cast that includes Denis Conway, Barry Ward, Janice Byrne, Tim Delap, Michael James Ford, Donal O’Kelly, Aoife McMahon, Janet Moran, Aaron Monaghan and Rory Nolan. Opens Wed 29 June. www.abbeytheatre.ie

Irish Composers Collective

Something tasty from the Irish Composers Collective: Soprano Elizabeth Hilliard and David Bremner give a concert for Voice and Piano at the NCH next Wed 22 June of previously unperformed works by member composers, including Glen Austin, David Bremner, Peter Moran, Richard Gill, Massimo Davi ('Fairytale for female voice and resonant piano') and Ryan Molloy. Coming up, an AudioVisual Concert on 26 July features collaborations between five composers and five visual/video artists, and in August the ICC present their first Laptop Ensemble. www.irishcomposerscollective.com www.nch.ie

And over at the Contemporary Music Centre at 6pm you can catch the launch of Ed Bennett's new CD My Broken Machines, featuring a live performance by Paul Roe. www.cmc.ie

Short & Sweet

Over the past while I’ve come to realise that despite my best intentions, life has a habit of intervening in my blogging schedule, so for the next few months I’m going to keep things short and sweet – basic info and a link. But remember, if it’s on the blog it’s worth checking out.So here goes:

Sundays@ Noon at the Hugh Lane Gallery is a definite must for any city dweller. Free music in a fab gallery, what more could you want? On Sun 19 you can hear pianist Finghin Collins, currently associate artist with the NSO, playing Beethoven and Debussy, and on Sun 26 contemporary music group Concorde team up with acclaimed violist Garth Knox for The Viola: A Wild Beast Unleashed, 5 new compositions by Irish composers inspired by the afore-mentioned Knox. www.hughlane.ie

And in the same venue for a small fee, on Sat 18 @3pm you can here the National Chamber Choir under the baton of the brilliant Paul Hillier singing music by Brahms and his early music influences including the likes of Gabrieli and Palestrina. www.nationalchamberchoir.com

A new cross-arts project Movement of Sound is at the Backloft on June 19, a collaboration between Karen Power (composer / live electronics), Mary Nunan (dancer and choreographer), Deirdre O’Leary (clarinet/ bass clarinet) and Kate Ellis (cello), featuring Irish premiers by international composers; Saariaho, Tiensuu and Hyla. And speaking of the Backloft, there’s a free concert on Fri 10 @7pm featuring RawClassico aka soprano Frances Marshall and classical guitarist John Feeley, a combination of Italian arias and Celtic repertoire, all arranged by Feeley.

www.thebackloft.blogspot.com

Some good stuff coming up at Art Polonia’s Centre for Creative Practice, where you can indulge in everything from jazz, flamenco, electro-acoustic, experimental music performance, folk music, storytelling, documentaries and a German movie night. Check out their website @ www.artpolonia.org

Popular French-based pianist Ivan Ilic is back again at the NCH’s John Field Room for a lunchtime recital on Fri 24 June, including his own arrangements of French songs by Debussy, Fauré, and Ernest Chausson, as well as two rarely-heard works from 1930 by Ravel and Godowsky. www.nch.ie

Next show into the Gate Theatre is Brian Friel’s thought-provoking exploration of personal identity Molly Sweeney, which had its premiere there some 15 years ago. Previewing from Thur 23 and opening on Tue 28 June, this new production is directed by Patrick Mason and features Dawn Bradfield, Michael Byrne and Peter Hanly. www.gatetheatre.ie

At Project til Sat 18 June, Loose Canon return to their Shakespearian roots with their take on A Midsummer Night's Dream? (note that question mark). As they so eloquently put it, “Is it about fairies and pixies and the course of true love not running smoothly? Or is it about getting f*cked off your face – so f*cked off your face that you end up f*cking a donkey?” Sounds like some party. www.projectartscentre.ie