Short & Sweet

Over the past while I’ve come to realise that despite my best intentions, life has a habit of intervening in my blogging schedule, so for the next few months I’m going to keep things short and sweet – basic info and a link. But remember, if it’s on the blog it’s worth checking out.So here goes:

Sundays@ Noon at the Hugh Lane Gallery is a definite must for any city dweller. Free music in a fab gallery, what more could you want? On Sun 19 you can hear pianist Finghin Collins, currently associate artist with the NSO, playing Beethoven and Debussy, and on Sun 26 contemporary music group Concorde team up with acclaimed violist Garth Knox for The Viola: A Wild Beast Unleashed, 5 new compositions by Irish composers inspired by the afore-mentioned Knox. www.hughlane.ie

And in the same venue for a small fee, on Sat 18 @3pm you can here the National Chamber Choir under the baton of the brilliant Paul Hillier singing music by Brahms and his early music influences including the likes of Gabrieli and Palestrina. www.nationalchamberchoir.com

A new cross-arts project Movement of Sound is at the Backloft on June 19, a collaboration between Karen Power (composer / live electronics), Mary Nunan (dancer and choreographer), Deirdre O’Leary (clarinet/ bass clarinet) and Kate Ellis (cello), featuring Irish premiers by international composers; Saariaho, Tiensuu and Hyla. And speaking of the Backloft, there’s a free concert on Fri 10 @7pm featuring RawClassico aka soprano Frances Marshall and classical guitarist John Feeley, a combination of Italian arias and Celtic repertoire, all arranged by Feeley.

www.thebackloft.blogspot.com

Some good stuff coming up at Art Polonia’s Centre for Creative Practice, where you can indulge in everything from jazz, flamenco, electro-acoustic, experimental music performance, folk music, storytelling, documentaries and a German movie night. Check out their website @ www.artpolonia.org

Popular French-based pianist Ivan Ilic is back again at the NCH’s John Field Room for a lunchtime recital on Fri 24 June, including his own arrangements of French songs by Debussy, Fauré, and Ernest Chausson, as well as two rarely-heard works from 1930 by Ravel and Godowsky. www.nch.ie

Next show into the Gate Theatre is Brian Friel’s thought-provoking exploration of personal identity Molly Sweeney, which had its premiere there some 15 years ago. Previewing from Thur 23 and opening on Tue 28 June, this new production is directed by Patrick Mason and features Dawn Bradfield, Michael Byrne and Peter Hanly. www.gatetheatre.ie

At Project til Sat 18 June, Loose Canon return to their Shakespearian roots with their take on A Midsummer Night's Dream? (note that question mark). As they so eloquently put it, “Is it about fairies and pixies and the course of true love not running smoothly? Or is it about getting f*cked off your face – so f*cked off your face that you end up f*cking a donkey?” Sounds like some party. www.projectartscentre.ie

Death of a Salesman

Another big name takes to the Gate stage in Arthur Miller's Pulitzer Prize-winning masterpiece Death of a Salesman. Heading the cast as Willy Loman is American film and stage actor Harris Yulin – you mightn’t know the name but you’ll definitely recognise the face: he first popped up in 1983 as crooked cop Mel Bernstein in Scarface, and has since appeared in many big-budget movies such as Clear and Present Danger, Ghostbusters II and Training Day, and on the small screen in the likes of Star Trek: Deep Space Nine, 24, Buffy the Vampire Slayer, Entourage and Frasier. Other familiar (Irish) faces in the cast include Stephen Brennan, Deirdre Donnelly, John Kavanagh, Barry McGovern, Elizabeth Moynihan, Rory Nolan and Stephen Swift, and heading the creative team is American director David Esbjornson. Previews from Thur 15 and opens Tue 20. www.gatetheatre.ie

Arcadia

This is a terrific piece of theatre. Tom Stoppard is such a clever writer, and he packs so much wit and intelligence into this play that it is a pleasure from start to finish. It’s a complicated story and you do need to keep your wits about you – some of it is of the blink and you miss it variety (or get distracted by your neighbour’s mobile phone and you miss it – what part of ‘please turn your mobile completely off’ do they not understand?) but the necessity of a bit of mental agility just adds to its appeal. A difficult play to describe, it’s set in a country house in Derbyshire where two groups of people, separated by nearly 200 years, set out to unravel some of the many puzzles that life throws at us. Love and lust, mystery and intrigue, science and poetry, wild hilarity and gentle tragedy – what more could you want? Well, a decent production, actually, and that’s exactly what director Patrick Mason gives us. Beautifully paced and perfectly cast, this is a real winner – highly recommended. (And did you know, student tickets are a mere €15 Mon-Thur) Until Sat 10 July. www.gate-theatre.ie

Arcadia

Tom Stoppard’s multi-award winning comedy Arcadia has just started previews at the Gate. Cleverly fusing past and present, the thrills of a gripping literary detective story in a tale of mystery and love make this play, first staged in 1993 with a cast that included Rufus Sewell, Felicity Kendal and Bill Nighy, something of a masterpiece. This time around Ingrid Craigie heads the cast, with Patrick Mason directing. www.gate-theatre.ie

Gambon at the Gate

One of the most memorable pieces of theatre I have ever seen, and probably the most affecting piece of Beckett I have ever experienced, was a production of Eh Joe as part of the Gate Theatre’s Beckett Festival in 2006. Originally written for television, it was adapted and directed by Atom Egoyan and featured two remarkable actors, Penelope Wilton and Michael Gambon – her unseen voice, his larger than life, silent stage presence. As the voice taunts him with unsavoury details of his past life in a relentless, devastating narrative, his great face crumples, bit by bit, every tic and nuance mercilessly enlarged and laid bare on a giant video screen. An extraordinary performance. Now Gambon is back at the Gate for more Beckett, the classic Krapp’s Last Tape, a brilliant study of memory and regret, with its bananas and lampshades and spool upon spool of personal history. Taking on the role of Krapp, Gambon follows in some illustrious footsteps – Patrick Magee starred in the original production at the Royal Court back in 1958, while both David Kelly and John Hurt featured in more recent productions at the Gate. Michael Colgan directs. Krapp previews on Wed 28 and opens on Thur 29 April. www.gate-theatre.ie