The Contemporary Music Centre’s salon series continues with new music::new Ireland, two informal concerts at the NCH’s Kevin Barry Room which sees the ConTempo String Quartet take a second look at works written for them in recent years. The first salon on Wed 10 (6pm) features music by Rhona Clarke and Grainne Mulvey, with both composers in attendance. On Wed 17 they’re joined by guitarist John Feeley for movements from Eric Sweeney’s Concert for Guitar, as well as works by Jennifer Walshe and Jane O’Leary. Admission free, booking advisable. www.nch.ie www.cmc.ie
Something quite different at the Samuel Beckett Theatre on Sat 13. Hadith al Rouh (Conversations of the Soul) is a theatrical concert created by Evangelia Rigaki, newly appointed lecturer in composition at TCD. A variation on the Sufi song by the famous Egyptian singer Oum Kalthoum, described as the Maria Callas of Arab Music, Rigaki has recomposed the piece for soprano, ud player and a 12 part male voice choir. www.tcd.ie
If it’s Sunday it must be the Hugh Lane Gallery for some great free music @ Noon. Cellist Mirian Roycroft and pianist Reamonn Keary get together on Sun 14 for works by Schumann, Barber and Chopin; on Sun 21 the Callino Quartet play string quartets by Haydn and on Sun 28 Polish pianist Slawomir Wilk plays Chopin as part of the Chopin 200 celebrations. www.hughlane.ie
The Irish Baroque Orchestra are at Christ Church Cathedral on Thur 18 with The Three Fiddlers, a celebration of the violin with works by Pachelbel (Canon & Gigue) Bach (Triple Violin Concerto in D), Vivaldi (Concerto for 3 Violins in F) et al. www.irishbaroqueorchestra.com
Resurgam choir have something quite fascinating on offer in Magnificat: Songs of Freedom and Justice, at St Nicholas of Myra Church on Thur 18. At the core of the programme is Giles Swayne’s 1982 setting of the biblical text, written after the composer spent two months in Senegal and the Gambia, which uses a Jola work-song as an opening call and returning motif, juxtaposing and highlighting the radical import of the traditional words. Other settings of the Magnificat, including those by Irish composers Caitríona Ní Dhubhghaill and Benedict Schlepper-Connolly as well as Tavener and Arvo Part, are layered with a selection of South African freedom songs. www.resurgam.ie
John Ruddock’s excellent MLA is back in action at Imma on Sun 21 with an afternoon concert featuring dymanic Czech violinist Ivan Zenaty. He’s joined by pianist Stanislav Boguna for works by Prokofiev, Beethoven, Clara Schumann and Grieg. Tickets €20 at the door.
Wondering what to do on a chilly Monday night? Head for Whelan’s on Mon 22 where the Improvised Music Company present Chris Potter’s Underground, live and kicking from New York. ‘One of the best saxophonists on the planet’ said The Guardian of Potter, who is joined onstage by drummer Nate Smith, Adam Rogers on guitar and Craig Taborn on Fender Rhodes. www.improvisedmusic.ie
There’s some tasty stuff from the RTE Concert Orchestra at the NCH on Wed 24, when they’re joined by ace fiddler Martin Hayes for the world premiere of Dave Flynn’s Aontacht (Unity): A Concerto for Traditional Irish Musician and Orchestra. If that sounds a bit Riverdancey, Flynn has explained his use of the orchestra as some kind of giant accompanying instrument, a mythical combination of Leo Rowsome’s uilleann pipes, Dennis Cahill’s guitar, Steve Reich’s ensemble and Arvo Part’s strings, while the fiddle draws not only on Hayes’ extraordinary musicianship but the inspiration of fiddlers like Tommy Potts Paddy Canny, Paddy Fahey and Ed Reavy. Hayes is joined by Denis Cahill and violinist Brona Cahill, Flynn’s Music for the Departed, there’s orchestral music from Arvo Part, and by way of a nice bit of contrast, a set from Hayes and Cahill. www.rte.ie www.nch.ie
A new work for the National Chamber Choir created by upcoming young British composer Tarik O’Regan gets its world premiere at St Ann's, Dawson St on Thur 25. Acallam na Senórach /Tales of the Elders is a concert-length chamber piece for 16 singers and guitar soloist (Stewart French), based on the most important medieval text of the Fenian Cycle, which follows the aging Oisín and Caílte as they travel across Ireland with the newly arrived St Patrick. O’Regan’s work has already received numerous awards including two Grammy nominations and his forthcoming opera Heart of Darkness, based on Conrad’s novel, opens in London next year. www.nationalchamberchoir.com