Friday, December 17, 2010
Saturday, December 11, 2010
Friday, December 3, 2010
Sunday, November 7, 2010
The Contemporary Music Centre’s salon series continues with new music::new Ireland, two informal concerts at the NCH’s Kevin Barry Room which sees the ConTempo String Quartet take a second look at works written for them in recent years. The first salon on Wed 10 (6pm) features music by Rhona Clarke and Grainne Mulvey, with both composers in attendance. On Wed 17 they’re joined by guitarist John Feeley for movements from Eric Sweeney’s Concert for Guitar, as well as works by Jennifer Walshe and Jane O’Leary. Admission free, booking advisable. www.nch.ie www.cmc.ie
Something quite different at the Samuel Beckett Theatre on Sat 13. Hadith al Rouh (Conversations of the Soul) is a theatrical concert created by Evangelia Rigaki, newly appointed lecturer in composition at TCD. A variation on the Sufi song by the famous Egyptian singer Oum Kalthoum, described as the Maria Callas of Arab Music, Rigaki has recomposed the piece for soprano, ud player and a 12 part male voice choir. www.tcd.ie
If it’s Sunday it must be the Hugh Lane Gallery for some great free music @ Noon. Cellist Mirian Roycroft and pianist Reamonn Keary get together on Sun 14 for works by Schumann, Barber and Chopin; on Sun 21 the Callino Quartet play string quartets by Haydn and on Sun 28 Polish pianist Slawomir Wilk plays Chopin as part of the Chopin 200 celebrations. www.hughlane.ie
The Irish Baroque Orchestra are at Christ Church Cathedral on Thur 18 with The Three Fiddlers, a celebration of the violin with works by Pachelbel (Canon & Gigue) Bach (Triple Violin Concerto in D), Vivaldi (Concerto for 3 Violins in F) et al. www.irishbaroqueorchestra.com
Resurgam choir have something quite fascinating on offer in Magnificat: Songs of Freedom and Justice, at St Nicholas of Myra Church on Thur 18. At the core of the programme is Giles Swayne’s 1982 setting of the biblical text, written after the composer spent two months in Senegal and the Gambia, which uses a Jola work-song as an opening call and returning motif, juxtaposing and highlighting the radical import of the traditional words. Other settings of the Magnificat, including those by Irish composers Caitríona Ní Dhubhghaill and Benedict Schlepper-Connolly as well as Tavener and Arvo Part, are layered with a selection of South African freedom songs. www.resurgam.ie
John Ruddock’s excellent MLA is back in action at Imma on Sun 21 with an afternoon concert featuring dymanic Czech violinist Ivan Zenaty. He’s joined by pianist Stanislav Boguna for works by Prokofiev, Beethoven, Clara Schumann and Grieg. Tickets €20 at the door.
Wondering what to do on a chilly Monday night? Head for Whelan’s on Mon 22 where the Improvised Music Company present Chris Potter’s Underground, live and kicking from New York. ‘One of the best saxophonists on the planet’ said The Guardian of Potter, who is joined onstage by drummer Nate Smith, Adam Rogers on guitar and Craig Taborn on Fender Rhodes. www.improvisedmusic.ie
There’s some tasty stuff from the RTE Concert Orchestra at the NCH on Wed 24, when they’re joined by ace fiddler Martin Hayes for the world premiere of Dave Flynn’s Aontacht (Unity): A Concerto for Traditional Irish Musician and Orchestra. If that sounds a bit Riverdancey, Flynn has explained his use of the orchestra as some kind of giant accompanying instrument, a mythical combination of Leo Rowsome’s uilleann pipes, Dennis Cahill’s guitar, Steve Reich’s ensemble and Arvo Part’s strings, while the fiddle draws not only on Hayes’ extraordinary musicianship but the inspiration of fiddlers like Tommy Potts Paddy Canny, Paddy Fahey and Ed Reavy. Hayes is joined by Denis Cahill and violinist Brona Cahill, Flynn’s Music for the Departed, there’s orchestral music from Arvo Part, and by way of a nice bit of contrast, a set from Hayes and Cahill. www.rte.ie www.nch.ie
A new work for the National Chamber Choir created by upcoming young British composer Tarik O’Regan gets its world premiere at St Ann's, Dawson St on Thur 25. Acallam na Senórach /Tales of the Elders is a concert-length chamber piece for 16 singers and guitar soloist (Stewart French), based on the most important medieval text of the Fenian Cycle, which follows the aging Oisín and Caílte as they travel across Ireland with the newly arrived St Patrick. O’Regan’s work has already received numerous awards including two Grammy nominations and his forthcoming opera Heart of Darkness, based on Conrad’s novel, opens in London next year. www.nationalchamberchoir.com
Meanwhile David Horan’s new production of Brian Friel’s iconic Dancing at Lughnasa is at the Helix until Sat 19 with a top notch cast including Charlie Bonner, Donna Dent, Maeve Fitzgerald, Garret Keogh, Kate Nic Chonaonaigh, Marie Ruane, Stephen Swift and Susannah de Wrixon. www.secondage.com
PurpleHeart are at Focus Theatre with the European Premiere of Men of Tortuga by upcoming American playwright Jason Wells. A dark comedy of negotiation, conspiracy and assassination that exposes the barbarism encoded in corporate bureaucracy, it had a critically acclaimed debut at Steppenwolf’s New Work programme. Captivating, according to Variety magazine. John O’Brien directs this new production with a cast including Dermot Magennis, Les martin, Gerry O’Brien, Stewart Roche and Steve Wilson. Previews from Tue 9, opens thur 11. www.focustheatre.ie
Oper Ireland sing out their last hurrah with their final season at the Gaeity – 7 performances of Puccini’s much loved Tosca kicking off on Thur 11 and running til Sun 21. Irish soprano Orla Boylan shares the lead role with Amarilli Nizza (replacing an indisposed Cara O’Sullivan). Making their Irish debut are Greek baritone Dimitri Platanias as Baron Scarpia and Argentinian tenor Marcello Puente as Sciarrone, and other Irish cast members include Nyle Wolfe and Imelda Drumm. Tickets from €25, student standbys available an hour before the show. www.operaireland.ie
Dermot Bolger’s The Parting Glass is at the Wood Quay Venue on Sun 21 as part of 2010 Innovation Dublin, before heading out to Axis in Ballymun for another short run following its success there and in NYC this summer. Ray Yeates stars in this one man play about a returned emigrant’s experience of contemporary Ireland from bom to bust. A sort of sequel to Bolger’s In High Germany, it’s set on the infamous night when Thierry Henry dashed our World Cup hopes, that sleight of hand becoming a metaphor for the speedy deception of the post-boom years. www.axis-ballymun.ie
The Performance Corporation are heading out on tour with their recent sell-out hit Slattery’s Sago Saga, starting at the Mermaid in Bray on Tue 16 and visiting various points within reach of the capital such as Carlow and Newbridge. Arthur Riordain’s adaptation of Flann O’Brien’s unfinished comic masterpiece – one part carnival, one part surreal satire – features, among other things, a Scotch woman with an evil plan to outlaw the Irish potato. Jo Mangan directs, and the cast includes Clare Barrett, Darragh `Kelly, Lisa Lambe, Aonghus Og McAnally and Barry Ward. www.theperformancecorporation.com
Tuesday, October 19, 2010
Something different for Halloween – Alfred Hitchcock’s classic Psycho with live orchestra. Fifty years on from its release this cinematic masterpiece hits the big screen again, this time with the RTE Concert Orchestra performing Bernard Herrmann’s spine-tingling score live. All your favourite scariest bits enhanced by those shrieking strings, catch it at the NCH on Sun 31 Oct, 3pm & 8pm.www.rte.ie/concertorchestra
A series of free lunchtime concerts at St Ann’s Dawson Street kicks off on Thur 28 with The Three Graces, an unusual programme of soprano trios by Monteverdi, Luzzaschi and Barbara Strozzi featuring sopranos Elizabeth Hilliard, Rachel Talbot and Claire Wallace. On Nov 4 Michael Lee sings songs by Schubert, Brahms and Vaughan Williams with Fergal Caulfield on piano; music for voice and piano on Nov 11 features soprano Victoria Massey and Padhraic O Cuinneagain; Triona Marshall plays the Irish Harp on Nov 18; and on Nov 25 Denise Neary talks about the History of Music at St Ann’s Church.
A little bit of cross-cultural pollination takes place on Thur 28 Oct when the Irish Chamber Choir of Paris (the choir of the Centre Culturel Irelandais) give a free concert at the Unitarian Church, a timely volcanic ash rescheduling from last April - remember when that was the only thing we had to worry about. This is the first visit to Dublin of this all-female choir (they’re also heading to Galway), and they’ll be singing Pietro Paolo Bencini’s Missa de Oliveria and motets by Henry Madin, whose family left Ireland with the Wild Geese and who was born in Verdun in 1698. www.centreculturelirlandais.com
Thursday, October 7, 2010
Monday, October 4, 2010
Friday, September 24, 2010
Other international work includes CIRCA from Australia, a new creation from Galway Arts Festival favourites in their signature style that integrates formidable acrobatic circus skills and contemporary dance with state of the art sound, light and projection (30Sept -3Oct). Coming direct from an extended West End run is the hugely acclaimed Olivier Award-winning ENRON, an exuberant production using music, movement and video in a narrative of greed and loss from the tumultuous 1990s; come and see where it all went wrong (12-16 Oct). THE WONDERFUL WORLD OF HUGH HUGHES is a trio of shows from the eponymous emerging Welsh artist, a celebration of the imagination trailing rave reviews and hailed as hilarious and heartfelt (12-17 Oct). Doing something similar, and described as charming and funny, L’EFFET DE SERGE from France explores the wonder of the ordinary in a series of low-tech micro dramas (13-17 Oct). And in case it’s all getting too sweet, DICIEMBRE from Chile’s Teatro en el Blanco is a politically charged, blackly comic, razor sharp family drama about a near-future war in Chile (6-10 Oct).
There’s plenty of new Irish productions from all the leading companies. At the Gate there’s a major season of Beckett, Pinter and Mamet: Beckett’s ENDGAME features Owen Roe and David Bradley, with Barry McGovern in the world premiere staging of WATT; Wayne Jordan directs Pinter’s CELEBRATION, a post-theatrical night out, laced with dark humour and wicked satire; and Mamet’s classic comedy of manners BOSTON MARRIAGE is directed by Aoife Spillane-Hinks. (30 Sept- 17 Oct) Ibsen’s JOHN GABRIEL BORKMAN is at the Abbey in a new version by Frank McGuinness. The great man falls from grace in this devastating and darkly comic play with a star-studded cast including Alan Rickman, Lindsay Duncan and Fiona Shaw (previews from 6 Oct, opens 13) Mikel Murfi directs B IS FOR BABY at the Peacock, Carmel Winter’s tender and sharp-witted take on life at a care home and the joy of make-believe (opens 30 Sept). Druid have Sean O’Casey’s THE SILVER TASSIE, directed by Garry Hynes and featuring an ensemble of 19 actors (5-10 Oct). THE REHEARSAL, PLAYING THE DANCE is Pan Pan’s idiosyncratic take on Hamlet, with actors competing to take the title role – shades of Denmark’s Got Talent? (5-10 Oct). Rough Magic’s new version of PHAEDRA responds to both Racine’s play and Rameau’s opera in a dynamic collaboration between writer Hilary Fannin and musician Ellen Cranitch. (3-10 Oct).
In another thematic strand, What Are You Looking At looks at the changing role of the audience in contemporary theatre. Belgium's Ontroerend Goed follow last year’s hit For Once and for all we’re going to tell you who we are so shut up and listen) with three immersive theatrical creations (probably not for the faint-hearted): THE SMILE OFF YOUR FACE, a one-on one blind-folded, wheelchair-bound experience of scents and sounds; INTERNAL, aiming to build a meaningful relationship with a stranger in 25 minutes; and A GAME OF YOU, where seven strangers get to know you better than you know yourself (30 Sept -17 Oct). Tim Crouch is back with THE AUTHOR, performed within the audience, telling the story of another shocking and abusive play (12-17 Oct); and upcoming Irish theatre-maker Una McKevitt’s new show 565+ follows one woman’s survival through the healing powers of theatre (30 Sept -3 Oct).
The Festival spreads its wings a bit, heading to Axis in Ballymun for Nilaja Sun’s Obie-winning NO CHILD…, an insightful and often hilarious look at New York’s public education system (13-16 Oct). And THE GIRL WHO FORGOT TO SING BADLY, featuring the wonderful Louis Lovett, visits the Civic, The Ark and Draiocht (5-15 Oct) as part of the ReViewed strand. There’s also a chance to ReView UNA SANTA OSCURA, a collaboration between composer Ian Wilson and director Tom Creed (8-10 Oct) and Beckett’s ACT WITHOUT WORDS II, a street-specific performance from Company SJ (6-9 Oct). The Ark’s FAMILY SEASON has shows from Belgium, the Netherlands and Denmark, and among the special events is Project Brand New’s THE MAGIC IF, one day of delving into the dreams of an array of theatre makers (Oct 16).
Tuesday, September 21, 2010
Monday, September 13, 2010
This sounds like a sweet lunchtime show. Two highly regarded choreographers, Muirne Bloomer and Emma O’Kane get together for The Ballet Ruse, a witty dance piece about the pitfalls and pressures of ballet dancing, the battle for perfection in that sugar-coated world and the struggle from barre to bar. Design is by the always adventurous Monica Frawley. (Project til Sat 18) More dance when Fidget Feet get airborne in Hang On, a fusion of dance and gravity defying aerial circus skills. (Project Fri 17-Sun 19) And Dance in Progress at DanceHouse features A Study in Absence/A Study in Presence, a refreshing look at our perception of dance and juggling. (Tue 21-Fri 24)
There’s some edgy sonic exploration in Four on the Fringe of Folk, an Irish/Swedish collaboration featuring Caoimhin O Raghallaigh on various fiddles, Seán Óg on sax, Petter Berndalen on snare drum and some fancy footwork from Nic Gareiss. (Fringe Factory Sat 18) There’s more weird and wonderful sounds in the Icelandic Weekend (Thur 23-Sat 25), with indie electro from FM Belfast, charismatic solo songstress Olof Arnalds and the lush, ethereal soundscapes of Amiina. A Feast for St Michael and all Angels offers an experimental Evensong service at Christ Church Cathedral with the Cathedral choir. (5pm Sat 25, adm free)
Comedywise, Colm O’Grady gets seriously funny about potatoes when he takes on the famine in his satirical tragicomedy Delicious O’Grady. (Smock Alley Mon 20-Sat 25) And Jono Katz gets emotional about prickly plants in Cactus: The Seduction as he wanders hallucinating through the desert in search of true love. (New Theatre til Sat 18) Charity shopping gets personal in Help Me! Help Me! inviting you to rummage through Priscilla Robinson’s latest purchases at 3/4 Smock Alley Court (Thur 23-Sun 26) and on the same dates Dame Lane evolves into a transient community space in Laneway. And last but not least, Whiplash go to bed very late (3am, Sun 26) in Red Line Dead Line, a story of Love, Debt and the Loving Dead. The Complex, Smithfield.
Tuesday, August 31, 2010
Thursday, August 19, 2010
Friday, August 13, 2010
Thursday, July 29, 2010
Sunday, July 18, 2010
The timing always seemed perfect – that last weekend in August when you hadn’t quite given up hope on the summer; the music was great and the weather was always kind (ah, nostalgia…) But now 10 years on, the dlr Festival of World Cultures is moving to a new slot in late July (23-25), allowing it to tap in more effectively to the international touring circuit. One of the world’s top 25 International Music Festivals, according to Songlines Magazine, this 3 day multi-arts, multi-cultural fiesta brings a real buzz to normally sedate Dun Laoghaire, as over 800 artists from 33 countries take part in 180 events – most of them free. Headliners include legendary Algerian King of Raï, Khaled; former Sigur Rós string section Amiina; Beninese voodoo funk sensationsOrchestre Poly Rythmo de Cotonou; rising Malian star Rokia Traoré; and creative revolutionaryJah Wobble with his new project The Nippon Dub Ensemble. And among the special 10th Anniversary events are Homeland a collaboration between 4 fascinating world voices – Iarla Ó Lionáird, Tanya Tagaq and duo Adjágas; dancing in the streets with the Birthday Bloco Carnival;and Radio Hemisphere, the festival’s first internet radio. Loads more besides, check it all email@example.com
Sunday, July 11, 2010
Thursday, July 8, 2010
Thursday, June 24, 2010
There’s French music from the National Chamber Choir at Smock Alley’s Banquet Hall on Sun 27 June – or if you want to travel further afield, in Navan on Fri 25 and Carlingford on Sat 26. Conducted by the choir’s Artistic Director Paul Hillier, who was founding director of the famous Hilliard Ensemble, the programme revolves around love, birds and war, with a cappella songs by Janequin, Poulenc and Debussy. www.nationalchamberchoir.com
An interesting programme from the Irish Baroque Orchestra at Christ Church Cathedral on Sat 26 June pits the young Mozart against the more mature Haydn. Young Progidy / Old Master features Mozart’s Gallimathius Musicum, written when he was just ten, and his slightly later Bassoon Concerto (with IBO and Scottish Chamber Orchestra principal Peter Whelan), along with Haydn’s Symphony No 60, written when Haydn was in his 40s. www.irishbaroqueorchestra.com
Tall Tales are at Project from June 29 (preview) with the world premiere of BogBoy, a new play by Deirdre Kinahan that echoes with the fate of the ‘disappeared’ from 1970s Northern Ireland. Set in contemporary Co. Meath, it interweaves the stories of three people who themselves have disappeared through the cracks of Irish society - a young boy from Belfast, a struggling Dublin heroin addict and a reclusive local farmer. Shifting timelines reveal deep friendship, violent murder and unforgivable deceit, as well as a ‘gloriously comic’ clash of contemporary Irish rural/urban culture. Jo Mangan (of The Performance Corporation) directs and the cast includes Steve Blount, Damian Devaney, Emmett Kirwan and Mary Murray. www.projectartscentre.ie